RSS

Natural level three wanting high and lowlights

15 Mar

Back2myroots: A place to share thoughts and grow idea’s. B2MR

Naturally Level 3 Natural Asian hair wanting Highlights:
Wanting natural honey shades caramels shades of summer. Cool blonde, creamy caramel sun kissed honey, strawberry are they possible? yes.

How do you feel about working with really Dark hair be it Native American. Japanese. Chinese. Asian.

A challenge to many of us stylists. What do all these different cultures have in common? They all present the same colouring issues. Especially when trying to achieve a really good Blonde beige shades. The issue pigment control unwanted warmth!

Lets Introduce Melissa our client and Linda our stylist.

The issue:

Melissa sits down with Linda for a consultation. Again this is the time Linda can ask the questions to find out about Melissa, her life style, her hair history, her goals. Linda sits with Melissa and as they chat and she takes notes it’s established that Melissa has never coloured her hair, but would like some Blonde and caramel Highlights through the top of her hair. She has shoulder length hair that she enjoys and likes to play with putting it up.

Having listened to Melissa Linda says well as i”m sure you are aware getting your hair to Blonde can have it’s issues.Melissa says yes many of my friends have nasty orange brown hair i don’t want that. I fully understand says Linda. Don’t worry i will explain why this happens and what we can do.

Firstly getting the right shade is always much hard  due to the structure of your hair you have more layers to your cuticle. Secondly and the most important factor is how dark you are naturally you have a great deal Blue pigment this controls any red showing through.But as we start to lift your hair the big issue is always red and orange. Oh i see says Melissa. Linda goes on with an example. She say’s if I lift my natural hair level 4 shades I get blonde as you can see she says smiling! If i lift your hair four levels we will get a red orange shade. So we have to consider our best options and agree on our target shades.

Let me get a shade chart so we can get a shared vision. Great says Melissa. Thank you for explaining all this to me.No worries say’s Linda i like a challenge.

Right say’s Linda here we are. Sitting with Melissa she says you see this top row on the chart with the N yes? Says Melissa, well your natural shade is here second in from the right.That dark? Say’s Melissa. Yep now Linda says [LEVEL6] watch this she counts in four levels from the right including the level started from knowing that this level has to also be lifted through. Oh Say’s Melissa is that it as light as i can be. No say’s Linda I’m just taking you on a little colour journey.

Now she says watch this and Linda counts down 4 levels. Her finger now sitting on then tone line C [COPPER 6CR]  Linda say’s if we lift four levels this is what we can expect, with all that pigment you have. Melissa says this is quite complicated. Not really says Linda but it’s best to be realistic about goals and expectations. Linda says If we lift it to this level we can control all this warmth giving us a nice Caramel shade our second shade. She now moves her finger again on the shade chat to the B level [BEIGE] and says this one 4th in from the right two shades up from the copper [6CR]. Wow says Melissa you can do that yes we can.

I will use a high lift Blonde formulation it takes longer it has a higher level or peroxide for the lift we need and more pigment to control all that warmth here is what we will use to attain this shade.

Right here we are say’s Linda.With another swatch. Now at this point you may be thinking what is going on? well stay with us Linda will explain. Melissa says your using that yes say’s Linda which one do you think she says to Melissa . Who points to the 100B Ok says Linda.  We will be using this one Pointing to the 100A that’s Grey say Melissa ,  Linda laughs no it’s ash and we need all that pigment to control all that red orange .Oh how cool is that. This really is a science Isn’t yes it is says Linda.

Now for the lighter shade we will be using a bleach decolouriser with 20 volume peroxide but will be applying it a number of times. If you like it will be coats or layers or product on top of each other as your hair starts to lift. We will also be working from the ends in toward the scalp as they will take the longest to lift. I’m thinking slightly thicker panels so they show rather than fine weave fine says Melissa I’m in your hands.

Finally says Linda. Our goal is for that 7B beige shade the blonde will be around the 1000B shade that you pointed out and of course your own colour so this look will create three shades and lots of texture and dimension . How does all that sound . Great say’s Melissa I’m excited this will take some time so be patient with me I’m thinking around three to four hours max start to finish. no problem.

Ok lets talk formulation: whilst Linda does some mixing.

First the Caramel shade we can gain a little extra lift by using the 100  it is pigment fee so acts like a booster note [never use more than 25% of this in your formulation or it will dilute down your required pigment]

1/2oz 100+ 11/2oz100A total 2oz [60 grams] 40voume peroxide 4oz [120 grams] this a lot for formula but we have a great deal of hair to deal with [a normal formulation would be half this amount]

Second formulation we may have to mix up more than one lot  seeing a swe are working in towards the scalp

1oz or 1scoop bleach power to approx 2 oz [60grams] 20 volume peroxide mixed into desired consistency.

Back with Linda who now has her trolley papers and product ready to go. She starts to work on the  thicker alternating highlights applying the 100A formulation over full section.

The bleach is applied from the ends into the mid lengths to start with as this starts to lift more product will be applied both to the mid lengths and ends and in to the roots until desired level of lift is attained. Linda works away very skillfully alternating shades applying the product where she wants it every so often checking on hair already starting to lift. As time goes bye Linda starts to apply the bleach formulation closer to the scalp having mixed up two fresh batches of product.

The development time on the on the High lift formulation is 50 minutes 30 minutes lift 20 minutes deposit . Knowing that she wants the pigment to control the unwanted warmth exposed she is happy with the way that is progressing. As things moves along Linda is constantly checking on the effective lifting of any given section and then  re applying  product to needed area’s.

Once finished she look at Melissa says now it’s awaiting game to get even lift. She explains mistakes happen when not enough time is taken to get the desired shade of Blonde or level of lift. Linda says I’m happy with the lift and the caramel shade I just need to lighter shade to lift beyond Orange if we can do this i can tone to a desired colour. After much checking Linda says perfect we have a nice even even bright Yellow and that’s the best we expect.Oh say’s Melissa i was hoping for Blonde not yellow.  Don’t worry smiles Linda yellow is good I can tone that to a nice Beige. How Melissa asks well another mistake that is often made is using the wrong toner .Many might reach for a Ash base but that would not be good [Ash is Blue ] blue and yellow make green  not such a good look.

We will use a strong Violet toner this will control the yellow perfectly [The balance restored Violet being red +blue so a perfect balance to the yellow]  She sets to work rinses all the processed colour out . Now to  the work of toning the hair working it thought out the top section. slowly as she works it in the Violet toner works is magic creating the desired tone.

Finally all done Linda as she washes and conditions says I am very happy with this i know it’s taken quite a long time but we have the shades and tones we wanted.

Lets go to my station take a look and style it for you to get the full effect. As you can see from the picture to the left the effect was first class. Controlled blonde with a burnt caramel shade braking up Melissa’s natural darker coloure.It’s only on the surface of her hair the underneath is still dark and solid so a great introduction to colour. Finally Linda advises Melissa on products to maintain the colour and suggests a return visit in a couple of weeks just to check on the tone and that all is well. Melissa  has a face that says it all a very happy client another huge job that was discussed and executed and finished to the highest standard.

Information on Colouring using Highlift blonde shades

The most natural form of High- Low Lights:

When we think about low lights the idea of that natural sun kissed look comes to mind,Those tones shades that natural lightening created from manipulating the hair’s natural pigment. Enabling us to use those tones just a few shades lighter than our natural base shade.Shade stat add dimension tone shine a really natural look. In so many cases client will ask for low lights that give a few shades of lift for a natural look however on so many occasions. they can end up with bleach decolourised cocktail lightening the hair to then have a stylist re add pigment with a toner to control the lift.Why can this occur? How does this occur and happen? poor consultation.sad lack of creative skill and technical knowledge.

A Different approach: 

Consider this. A natural level hair 1,2,3,4,5  these are what we would normally consider the darker shades Brown through Dark Brown into black {Asian hair} 

Lifting these shades to get a lighter streaked look can cause problems due once again to the pigment that is going to be exposed through the lifting process. We will be at these levels dealing with shades of red and orange! To create Low lights that sun kissed look we have to have a target colour in mind. We need to asses the hair so we have a clear idea of the pigment we are going to expose and how we are going to control it!

During this consultation time it should be noted that considering the hair’s history.This plays a very important role in decisions made has the hair been coloured before? If all over Colour has been applied be it professional or over the counter it will effect the the choices you make and the out come.You cannot lift colour with colour!! If a previous chemical history trying to create a low light using a high lift blonde formulation will ‘not’ work. Remember in most cases you cannot lift colour with colour: { some products now days will defuse pigment and allow this but i question how good they are} My reason for raising the above issues are because what i want to suggest is using is.

High Lift Blonde permanent colour: to create low lights:

This method dictates that you fully understand pigment lift deposit. That you trust and understand the pigmentation of your High lift blonde range  does the product Have enough pigment control to give you the desired tone shade lifting through red and orange?

Above are examples of high lift Blonde shades:

Normally the mixing ratio for these high lift shades is one part colour to two parts 40 Volume Hydrogen Peroxide development time up to 50 Mins {That being 30mins lift 20mins deposit} Heat should not be required heat can be very bad in the colour process it can cause bleeds due to expansion of product. 

You can see the various shades Ash, Beige, Violet. Gold. 100 is a clear. With some products you can us this to get an extra bit of lift maybe a shade, but remember when adding this to a formulation you are diluting down the pigment available in the formulation so if using the clear as a booster no more than 20%  should be used in any formulation.

The 100 series on it’s own will give a nice low light but will not control any pigment exposed it is just lift pigment free. So any lift will create a low light exposed from the natural hair pigment. Given that most manufactures claim 4 levels of lift from High lift blonde what can we expect? Well given a natural level 4 we should be able to get a low light around level 7. As we know that a natural level 7 has an orange under tone using a formulation with ash should give a nice sandy controlled honey low light .

The 40 volume Hydrogen giving you the four levels of lift the Ash pigment controlling the pigment exposed! The shades shown are realistic tones that can be reaches with this method. Although using a higher volume of peroxide i think it still better  than using a bleach to lift and then re pigment or tone the hair.

Multi shades very natural looking:

 Low lights Done with this method have less tendency to fade due to the fact you have worked with the hairs natural pigment base. Do give it a try although the time for development is longer like most services in a salon time management is key to being a success. You don’t need to rush or force colour development you just need to manage your time effectively forcing hair colour development with a plastic cap and heat will not improve your colour. Hair colouring is an equation of formulation lift deposit and timing! Think of  of it as. Formulation, Mix, Timing !Just like baking a cake recipe ingredients over temp Timing. perfect cake perfect colour ! There are many different opinion’s on applying heat to colour. Always follow manufactures instruction, It’s is my thinking that adding heat changes the process. If after our consultation we decide on a formula . That Being tube pigment + Developer= Timing  that process of lift and development.

My thoughts oh added heat:

Consider that heat with a plastic cap. It creates moisture and condensation where does that mositure come from? The formula so it’s changing the chemistry and so the process. Foil highlights with a cap again Condensation in the cap it forces the product to expand rapidly leading to bleeding. With out a cap it will dry the product out as the mixture drys out causing patchy lift on any given section. Always consider what you are trying to achieve patients and timing is the best way learn to manage your time during the process of development.

Thoughts and comments Mike B2MR


 

Tags: , , , , , , , ,

Comments are closed.

 
%d bloggers like this: