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Category Archives: grey hair issues

Professional Hair colour dye the N series.


Welcome to BACK2MYROOTS B2MR regular postings of fresh new topic’s

A place to share thoughts post comments and idea’s on matters relating to hair colouring skill and techniques and anything industry related.

Professional hair colour or hair dye! what role does the N series have in colour choice and formulation? It is the opinion of Some hair colourist and or technicians that “rules are made for breaking”  Hum! Ego! is alive and well. For me and many real professionalthat is not the case I say ” understand and trust the colour wheel”  it works !  

When you think about hair colour. What goes through our head ? Do you pull out that shade chart? do you use it correctly? Do you trust it? Do you do your own thing? Do you blame the product when colour goes wrong? Do you use it to refer to or in some cases do you just drop it in a clients lap and say! What colour do you want today!!! [ you may be smiling it happens] more often than you might think!

How often do you consider what you want from that colour that tube of pigment. how it works how what you chose decides the out come the formulation you mix!

The N series is designed for what? To give you a natural looking base shade and cover Grey hair. It can be applied to go darker or lighter given the formulation you choose and considering the working environment and your end goal. it’s main job is to deliver natural pigment and control the pigment exposed at the level you are working in.In other words be calibrated to deal with unwanted pigment and warmth.

My question today is?

Do you consider what the process is? What your asking of any given shade? Lets take 8N for example a nice natural looking level of Blonde. what pigmentation would you expect and need from this miracle tube when working within a level 8 with 8N natural permanent tint/colour/dye Why do I ask this? Because it’s key.The same can be said for any given natural level and choice of N series. So back to question pigmentation. Do you understand it?

The pigmentation of any N series should be enough pigment to control the hairs natural pigment at any given natural level.! Hum what does this mean? Well lets think about our level 8 natural level.

If we mix a very basic formulation lets say 30grams[1oz] 8N 45grams 20vol peroxide 11/2oz]  what will happen? what do we, should we expect to happen?

The 20 volume peroxide will start to lift the hair through level 8 and into level 9 easy 20 vol 2 level lift by doing this we are exposing bring out the natural pigment in the hair so in this instance yellow with a hint of orange [if unsure look at the shade chart and colour wheel]

Having exposed this pigment through our choice of Peroxide. We now have to know [hope is not good enough] that our N series has enough pigment to deal with the issue you have created. So what do you need? Our Natural series must have a pigmentation of Blue Violet to control the pigment exposed and keep our colour natural. You have to control that yellow orange and restore balance.

A great deal to expect from a little tube of colour the same can be said for any natural level. You have to consider what we want from our colour but more importantly consider the formulation and what to expect from it. Of course if previously coloured hair and a root application we would have to colour balance the mid lengths and ends this would not be done with the N series or with peroxide. A Demi application and choice of matching shade will refresh previously coloured hair deposit only.

The key is to take the time to think lift deposit that is what am i going to expose, how do i control it! It’s balance it’s harmony between blue yellow and red at any given level!

The same can be applied to all shades Gold, Copper, Reds. Our choice of peroxide on any given natural level dictates. Whether our colour will be really bright or controlled. Why because we are adding pigment to the colour as soon as we lift the hair’s natural level! So please consider. It’s not just a tube that works wonders ! It’s a tube of pigment designed to help you attain you target colour, it’s use it’s application is down to you! when things go wrong consider what formulation you mixed what you expected from your choice . Most colour lines hair dyes that get change din salons are really down to poor technical ability and not the product. Poor formulation assessment and timing.

A poor Colourist / technician or stylist will always blame the colour .The reality is it’s not the colour! Take a look in the mirror yes that’s the problem !! Education skill knowledge .Think about what your wanting from that colour. Understand it. Read the technical book in your shade chart! yes the black stuff ! It’s called colour chart and manual for a reason.

The same applies to want wanting bright vibrant colours to enhance your choice on the shade chart. Think about the natural level and what pigment you can expose to enhance it. Maybe a Bright Red or Copper? if you don’t want the warmth think about level peroxide. Also what pigment base will control the pigment you will expose! back to the colour wheel! remember opposite neutralise! have fun. Be professional. Be responsible produce the very best colour and create the very best look you can. Challenge your self and those around you raise standards.

Herbal and organic colours and dyes.

It would not be fair of me to not mention that the same rules apply when using organic and herbal hair colour s and dyes. When they are Ammonia free the processes is still the same. The alkaline has been replaced by something normally sourced from wheat so a gain alcohol derivative becomes the driver in place of the ammonia in most cases the results as the same. The role the  N series plays in these colour lines would be the same. refinement of colour and addressing Grey issues.

Mike B2MR

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Demi lotion hair colour or just another dye?


Back2myroots : A place to share thoughts and grow idea’s. B2MR

What is Demi colour? What role does it play? How does it fit in with permanent and Semi permanent colour? Demi permanent colour is an opaque hair colour  offering tone on tone deposit it will generally last about 6 weeks. It’s main design and application would be for modern Grey coverage and refinement of under tones, also adding richness and shine has a slightly satin finish. Ideal for tone on tone colouring to create depth and shine. Ideal for use when taking lighter hair darker and no lift is required. Not wanting to introduce un-wanted underlying pigment.

Some of these could be Ammonia free some organic or herbal, the product i used was professional colour with a low ammonia of around 0.3 to 1.2% so very low the  high lift colours had 2% ammonia so again very low.

Remember when going darker you only need tone on tone deposit you don’t need lift and unwanted warmth!

It will not lighten the hair’s natural pigment when mixed correctly with right developer. 10 Vol peroxide is not a substitute as it does lift the hair within the natural level an example of this would be at a natural level 6 10 volume formulation would expose the warmth at that level [red orange]

 How does it work It Penetrates the cuticle layer to deposit the new artificial pigment in the Cuticle and to some degree in the Cortex. Note: Although not a formulation to lighten the hair over use or constant over lapping will over time lighten the hair slowly, due to the fact that the developer has a low level of peroxide normally less than 5vol.

As stylist we have many things to consider when dealing with issue of Grey hair. The options available to us are many the techniques the formulations the products. The most important tool we have have is knowledge and education this is what enables us to make an informed decision as to what might be the best way to proceed .The choices should it be permanent or semi or Demi application ? You must be able to explain options from a clients point of view with so much hype on the Tv the choices endless what colour should it be  It really is a minefield of products shades all claiming that  home colours can change your life make you look and feel young.

The quick fix especially those 10 minute colours contain more pigment than peroxide so they oxidize really quickly and can over deposit in some cases going black! They also  can have very high levels of alkaline although ammonia free!

Formulation:  For professional colour on stubborn Grey hair.

Pre-pigment sometimes called softener: Having established the natural level of the hair select a neutral shade Mix one part permanent colour with one part water leave on for 10 minutes. After 10 minutes  mix your selected target colour with chosen volume of peroxide suggest the lowest volume possible apply directly over pre-fill a Demi application formula is ideal for this.

Points to Consider rule of thumb when mix a formulation for Grey hair the formulation should contain as much of the Neutral series as their is Grey! { mistake often made poor assessment of this} 40% Grey 40% N series at desired level. the goal being to introduce some colour with subtle shade deposit not permanent with root or re growth issues!

If you really have to use high volume of peroxide you can adjust your formulation to deliver more pigment to control the warm undertone you are going to expose. Instead of standard formulation mix equal parts 1x Colour to1x Peroxide { normal formulation 1part colour to 1 1/2 developer}

Maybe suggest introducing some low light shades to work with the the grey hair subtle tones to add depth tone and shine. If your working with a client who has a history of using over the counter colour then establish what the product was! In some case a stand test might be advised. so of the colour’s now days have oil and silicone this can build up in the hair may effect deposit. In closing consider all options when dealing with Grey issues remember this.

To get the very best results consider you options always try and go with the least chemistry possible keep accurate records of formulations and results. This way formulations can be adjusted until perfect balance is reached.

It os possible to have really nice shades and tones and work with the Grey as the above shows having moved away from a solid colour. It’s now low lighted and high lighted with both High lift blonde tones and a Demi formulation for despot only tones!

Mike B2MR

 

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Grey hair Embrace it work with it!


Welcome to BACK2MYROOTS B2MR: Regular postings of fresh new topic’s

Grey Hair: This is such a huge topic so many option so quite a long article:

That age old issue! The one topic that is talked about by both men and women as this silver threads start to appear. Yes it can happen at any age to any one.Yet society tries to dictate via Media and social barriers that it’s unsightly ageing and must go. women of all ages dread the day the first one shows up!

It does not have to all be bad! 

As a hair stylist with many years experience I promote that whilst it can be dealt with it should be embraced .For it’s not going away.We should learn to work with it disguise it and not just try and constantly colour and over process the life out of it!  Odd coming from a stylist with a back ground in hair colour and colour education.

Think about it. Is it really that bad?. To have a little Grey? Why is it such a social stigma, why is it seen as not caring letting one self go! Why does society and the media make it such a big deal of it ? Because it’s huge business! Just think about all thoseTv and marketing ads. Should We. Can we embrace our Grey hair and still look stylist and feel young at heart? I think yes?

What is it? Why is it that our hair goes Grey? { husbands, Wives, Kids, work, life?} Why is going Grey so random? Why are some people lucky enough too, bypass the Grey stage altogether? Genetic? Any all or some of the above!

LETS TAKE A LOOK.

Around our mid to late fifties natural hair colour fades. As the body’s production of melanin decreases.When melanin production slows down we start to go Grey. When this production stops. The hair that grows in is white silver lacking pigment. The production of melanin is governed by genetic factors. So for the best indication, of when someone’s hair will become white, look to the parents, grand parents. How Grey are they? As this change happens so the texture can change. It is not a given that it will be just Grey or white sadly as lack of melanin products starts we can go through a stage of salt pepper flat dull lack lister hair. So much to look forward to ha! Also depending on when the process starts ie what age the skin can also seem to change. We folks it called ageing. We can do it with grace and dignity.

Once the hair has gone Grey. Do you decide to take that leap into the world of colour? It’s important to find a colourist that will listen to your issues.Who understands both the technical issues, as well as the physiological ones. This ideally will be some one who can suggest options, a person who can explain alternatives. Working with the right stylist or colour technician is essential, anyone suggesting camouflage may be well worth listening too.This would suggest working with the Grey. However someone suggesting, grabbing the lightest blonde or deepest brunette. This may not be the best person to work with.

Trying to attain a very light blonde.This can often results in a very harsh yellow undertone being presented. Grey hair still has pigment, In many cases stylist can make the mistake of, using to higher volume of Peroxide. The result of this can be, the introduction of unwanted pigment. It is this over exposure that will present either, unwanted warmth or a yellow undertone.

It is possible to maintain that warm copper shade that you have always loved,that works with your skin tone,complements your eye colour. The art is to introduce some shades to break up the solid so that 4 weekly roots is not an issue.So condition can be maintained. The above is a mix of soft high lights and low lights above shot all same model.

Temporary colours.

These can also be very useful, if you’ve decided to let nature take its course – but still need a little help.They can, take the yellowish cast out of. White and Grey and increase a more natural look to that salt-and-pepper hair. The advantage in this choice is, no lifting of the hair, so no unwanted warmth from pigment undertones being exposed.

As we get older. It is advisable to Go lighter as it’s softer against your skin tone. Sometimes a few high and low-lights are all that’s needed. They can introduce colour and texture to the hair. Whilst working with the Grey and natural tones. They can achieve this without. Totally masking natural tones out completely. This process is less harsh than all over colour, It will allow hair to grow out with less re-growth.

There’s no disputing that. The younger generation can pull off almost any look.

Not always the case with the older clients. It takes some attention to detail to get a style that’s graceful, elegant and sophisticated. Avoid very warm reds, plums and coppers. These tones can be very harsh and brash against older skin tones, they don’t tend to cover Grey very well. This is mainly due to lack of natural pigmentation.  {copper can look orange, Plum Pink or mauve}

It’s often assumed. Warmer colours are softer as we get older, but this is a myth. More neutral base tones look, more elegant and sophisticated. You can add warmth to the look, with highlights and low-lights after the base has been achieved. One could also disperse, highlights or low lights, working without an all over base colour. The advantage of this is less processing.

Some tips for dealing with Grey Hair. When you do notice, the odd stray Grey hairs poking their way through, don’t automatically go for, a full-head permanent tint. Often a semi-permanent colour will be sufficient. Failing this, camouflage with a few highlights or low-lights.

At this stage we want to work with the Grey. Use the lowest chemistry possible, as much as possible,work with what you have,  embrace it. A good stylist or technician should advise a client to. Opt for multi-tonal colour, It looks more natural, the re-growth is less likely to show after a couple of weeks. Avoid high fashion hair colouring techniques, mutton dressed as lamb, not a good look for any one! Who wants to look cheap. A more glamorous technique is far more attractive – think about the image you want to project. A gorgeous hair colour can look amazing on older woman.

The wrong colour or technique can look dreadful. As stylists we have many things to consider, when dealing with issue of Grey hair. The options available to us are many. The techniques. The formulations. The products. But in the end, it’s the consultation and advise we give that is so important. Take the time to listen.

The most important tools we have are. Education. Training. Knowledge. It’s these skills that enable us to, make an informed decision to advise as to what might be, The best way to proceed. The choices could be. Permanent colour. Semi or Demi permanent. Highlights or low lights. You must be able to explain options.

From a clients point of view. There is so much hype on the Tv, the choices are endless. What colour should it be It’s a really minefield of. Products and Shades, all claiming that  their home colours can. Change your life. Make you look and feel younger. That quick fix colour. Especially those 10 minute colours, they can contain more pigment than peroxide, so they oxidize really quickly and can over deposit, In some cases going black, they also have a tendency to fade really quickly. I have found. Blogging is great way to meet and make contacts and net work. I have recently been, Swapping thoughts and idea’s with other professional hairdresser and consultant whilst discussing Grey issues, we shared these thoughts.

Quote:

The whole Grey issue can be a real pain, I get image consultants saying.
“If you go Grey you should allow the Grey to show through if you are cool toned” and I have to explain that most people don’t get an even blanket of Grey they have the most horrible patches of it. Then every hairdresser under the sun seems to use 20 volume to cover Grey
and if they are dark haired it kicks up tons of warmth i try and explain another approach and way to cover Grey is with 10 volume as it deposits colour into the white hair but doesn’t lift the non white hair – but they seem to think you are mad when you suggest this.

Formulation For professional colour on stubborn Grey hair.           
Pre-pigment. Sometimes called softener. Having established the natural level of the hair, select a neutral shade. Mix one part permanent colour with one part water leave on for 10 minutes. After 10 minutes. Mix your selected target colour with chosen volume of peroxide. I suggest the lowest volume possible. Apply directly over pre-fill. Points to Consider. Rule of thumb when mixing a formulation for Grey hair. The formulation should contain as much of, The neutral series as their is Grey! { mistake often made poor assessment of this}  40% Grey 40% N series at desired level. If you really have to use. High volume of peroxide, you should adjust your formulation to. Deliver more pigment to control. Those being. The warm undertone you are going to expose, Instead of standard formulation.

Mix equal parts 1x Colour to1x Peroxide. { normal formulation 1part colour to 11/2 developer} If your working with a client who. Has a history of using over the counter colour. Then establish what the product being used was, If possible ask them to bring the package in with them. In all case a stand test is strongly advised. Some of the colour’s now days have an oil and silicone base. this can build up in the hair may effect deposit. So in closing consider, all options when dealing with Grey issues remember this.

A little knowledge is dangerous. Total knowledge is power! great products help! Have a consultation. Get professional advise before making a decision, be well informed. Do not trust what the box says if doing home colour. Get informed have a  professional consultation. As a stylist. Think about all the issues, advise giving all the options, Including what it will take to maintain this colour, advising on home use retail products.

Thank Mike B2MR

Quote
Comment by Karen Lynch. http://thesalonsuccessclub.ning.com/
Thank you! Every hairdresser should read this! I’ve been hairdressing about a hundred years (lol) and I am amazed (now I am a client), how many times my tint is not correct. Too warm or transparent. Most hairdressers would say this is basic stuff and that they know it. But I challenge that they don’t … Readers, send this on to others to read! 🙂
 

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Hair colouring: Lift, shade, deposit and tone:


Welcome to BACK2MYROOTS B2MR: Regular postings of fresh new topic’s

Following on from previous postings on.the following topic’s:

The colour wheel .The law of color as it relates to hair colouring. The Ph scale and the chemistry of hair.

It’s now time to look developers lift tone deposit and how they work:

                permanent colour requires cream colour 20 vol

The dyes lift the hair natural pigment and deposit a new artificial colour at the same time. Working in conjunction with our chosen developer as the lifting process starts. We lighten the hair thus exposing natural lightened pigment as our chosen developer or hydrogen peroxide lifts the hair lighter, so more pigment is exposed this pigment becomes part of our colour equation.

The Colour it’s self an oxidative dye pigment remains inert until mixed with hydrogen peroxide. Hydrogen peroxide is made up of two atoms of oxygen and two of hydrogen H/2O/2 available in both cream and liquid form, In most professional salon found as a cream. Hydrogen peroxide is measured by % hairdressing professional refer to it as being measured in volume.[this relates to the volume of gas being released in the chemical reaction]

With all hair colouring the key to success is Formulation, application and timing.choosing the incorrect shade can cause issues as can using the wrong strength of developer. Its a fine balance.

The different strengths and uses are as follows:

Uses:

Demi lotion

*5 Vol less no lift only works with the artificial pigment molecules.

*10vol [ 3%]

*Will only expose the pigment at the given level. zero lift from level to another.

* suitable for tone on tone or darker.

* can be used fro toner deposit on pre- lightened hair. i would consider using a demi    application in this instance.

*Covering some examples of Grey hair.

*pre-softening  resistant hair.

*Refreshing a tint, again i would consider a demi application for deposit only.

20vol [6%]

*All regular root applications [virgin hair application]

* Will produce one level of lift. That being for example lifting through level 6 exposing pigment expected at a level 7 [ see colour wheel]

30vol[9%]

* 2 to3 levels of lift . That being for example lifting 6 to level 8 exposing pigment at that level.If confused about three level 6 to 8 consider it has to lift through the pigment at level 6 before exposing the pigment and a level 7 and finally through level 8. see chart below count off level 6 to 8?

40vol [12%]

3 to 4 levels of lift,the same rule applies as above.  expecting anything other than a high level lift formulation will not achieve lift from a level 6 to10. amount of lift and pigment exposed will always be an issue in this instance. think 6 to 9!

In some cases a high lift blonde formulation can achieve desired lift this is due to the following.

* For high lift blonde formulation. The mixing ratio normally increase the ratio of hydrogen peroxide in the formulation to 1 part colour to 2 parts developer always check the product you use for directions. they can also in some cases have other chemical properties added to aid in the lift and deposit needed to reach target colour.

*High lift blonde shades. Normally have a more concentrated amount of pigment to work with the pigment exposed in the lifting process depending on choice of shade. They also have a longer process time due to level of peroxide being used to attain this degree of lift. It is always worth considering lift required and in some cases a bleach lightener / decolourizer may be required to attain desired degree of lift.

As an example lets look on the chart at undertone orange {orange as we know is made up of red and yellow} so to bring balance to a correct level 7 we would look for a shade with a blue pigmentation or tone.

Hydrogen peroxide will only release the oxygen molecule required when in an alkaline state this is why oxidative dye products require the presence of ammonia or some other alkaline some derived  from a natural sauce. [making them herbal]. This returns the hydrogen peroxide to its natural alkaline state and allows it to release oxygen freely.  The ammonia also acts as the engine drawing the colour under the opened cuticle helping it penetrate the cortex where it becomes fully developed.

To simplify:

The artificial colour molecule is drawn into the hair under the partially opened cuticle. the cuticle having been lifted by the ammonia that is now drawing the colour molecule into the cortex. The Hydrogen peroxide in the formulation is lightening the hairs natural melanin whilst at the same time the oxygen released is swelling the artificial pigment within the cortex and hair shaft trapping it deep inside the hairs structure.

True colours:

This would be degrees of Brown or our N series these are designed to have enough artificial pigment to control the pigment exposed at any given level. working with a max of 20vol [6%] higher levels will require consideration of desired target. warm or cool or do you want to neutralise or utilise the pigment exposed at any given level. We did say this was quite a big topic, it would be a long journey.Problems that can arise from permanent colour normally due to over processing. Damage to the cuticle it becomes raised cannot retain colouur [P/h issue]. Lack of moisture due to heat styling/exposure to the sun and element such as chlorine. Wrong formulation. Excessive colouring,

Lack of Grey coverage is normally a formulation and timing issue. poor assessment in the consultation process of amount of Grey so amount of N series required in formulation.Wrong choice of developer, correct development time. wash of to soon dye molecules that have not had time to develope and bond are washed away.Hair that is resistant to colour closed cuticle very resistant Grey hair. Pre-soften  with a formulation using either Demi lotion or 10 vol with natural level N series. leave for 20 minutes wash off with cold water, before apply target formulation.

                  low vol developer ideal for colour balancing

The advantages of permanent colour.

*Can permanently change hair colour.

*will lighten hair deposit colour or tone colour simultaneously.

*100% of Grey or white hair with correct formulation

.*Durability.

*versatility.

*soften or pre pigment hair,can add texture due to a more open cuticle.

Finally in closing this section in the consultation process it should be explained to clients their expected commitment when choosing permanent colour. My advise would always be chose the path with the least chemistry as possible to start with.

*Roots will need re touching between 4 to 6weeks,

* colour can fade on damaged or over processed hair. colour balancing is key to colour pigment retention.

*Danger of allergic reaction Always do a skin test. prior to any chemical service.

Colour balancing is required to refresh colour that is being re touched, The formulation on the root or re growth will be different to that required for the previously coloured mid lengths and ends both in choice of shade and developed used. 0 lift on pre coloured area!

Take a break digest remember it’s a lot to take in digest understand.

Finally: Herbal or Organic Colour: These have a arrived in recent years with a fan fair of hype marketed as being. Ammonia free, all natural,conditioning.  bla bla bla!  sorry only my opinion but as we have discussed an alkaline has to be present for the colour process to work. So yes you have to consider the level of ammonia in the product you chose or an alternative. Hair colour still needs driver an engine in most organic or herbal colours the ammonia is replaced with either denatured alcohol. In some cases detergent derived products,they all serve to act as an alkaline. Denatured alcohol is derived from grain fermentation this process produces alcohol and indeed bio fuel. this acts as the replacement for ammonia but because it’s derived from grain it’s classed as being Herbal natural. it’s your choice as to the organic route or not the process of lift and depsoit is the same as for permanent colour. We are now flooded with adds marketing HERBAL, NATURAL, ORGANIC, Ammonia free products without being given any idea of what the replacement chemistry might be.How it works or what it does. Why don’t we ask questions? seek answers? Why are we so trusting? This colour chemistry revolution is already in home colour hair kits.They promote safety healthy hair. Quick fix ammonia free colour. Is this really professional? The question i ask is simple is it really a new innovation? is it really any less harmful than Ammonia?

Thoughts on new MEA: As engine to drive colour instead of Ammonia? MEA is derived from Ethanolamine !  also Denatured Alcohol used as ammonia substitute why does Ammonia get such a bad wrap just because it smells ? .

Some useful facts:

Monoethanolamine and Ammonia Fact Sheet

1. Monoethanolamine (MEA) is a stable alkaline liquid.

2. Ammonia is a gas.

3. MEA has a larger molecule than ammonia, which means it is less volatile.

4. MEA does not give off gas when used in hair colour.

5. Ammonia gas is given off when used in hair colour.

6. Ammonia in small doses does not present a health risk.

7. Prolonged exposure of ammonia does present a health risk.

8. Many colours, including Matrix, use ammonia and monoethanolamine.

9. The argument that MEA has not been used long enough to be judged “safe” is completely

untrue, it has been used for at least 30 years in hair colour.

10. There is no proof that ammonia washes off the hair and that MEA does not.

11.Organic colour uses oleic acid in the formulation specifically to neutralise MEA, so even if the colour was not washed off correctly.The MEA has been neutralised and would have no adverse effect on the hair.

My hope is that some find this useful and that it makes you question. What your use and why! Is it really so natural organic and healthy!!!!!!

Mike B2MR


 

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Misinformation Hair colour product knowledge


Welcome to BACK2MYROOTS B2MR regular postings of fresh new topic’s

It is my goal to create a platform that over time will become a place to share thoughts review hair colour and products.

How confusing is it for both stylist and the consumer when you can go on line for advise and sound information and you get material such as below. quite shocking!

What is written in the heavy print is my view of course only my view!! However I found this information in this article miss leading and quite scary to think it’s posted as informative educational material in the public domaine.

Always research don’t trust all that you read as being correct knowledge is power  a little knowledge is dangerous! Stay informed current up to date have high standards and expect nothing less from those around you!

Lets take a look:

I have written my response in heavy print:

TYPES OF HAIR COLOUR

Permanent Colour:

Permanent colour gives you 100% complete coverage. Most permanent color uses peroxide (10 to 40 vol.) and ammonia. The downside is regrowth of new hair – it is a different shade and will leave a line of “demarcation”, or regrowth.

Most permanent hair colour uses 10 to 20 volume peroxide 40 vol would only be used for high lift blonde formulations and in maybe an extreme case! In most cases 40 vol is not recommended for scalp application. this type of application requires colour balancing unless first application. Issues with excess warmth will occur using 40 vol developer! 

Not all colour is driven by Ammonia many options available always find out what the alkaline is in your colour!

Semi-Permanent Colour:

Colour usually contains some ammonia and uses a developer of 10 to 20 vol.

Although it normally contains something to slightly open the Cuticle it does not have Ammonia nor does it have Peroxide much less 10 to 20 vol.

Demi-Permanent Colour:

Uses peroxide in low vols. (under 10 vol.). Many have no ammonia and leave little damage. When the color fades, it does gradually so it leaves no line of demarcation.

Normally uses around 5vol for the oxidation of the colour molecule may have low amount of ammonia or some other substance to open the cuticle for slightly deeper deposit. long term use of this formulation will result in build up and possible re growth line slow fading, ideal for Grey coverage with out going permanent

Semi-Temporary Colour:

These will last a short time (1-4 weeks). The usually incur no damage to the hair. You can expect about 40-60% gray coverage.

A direct dye/stain lies on the surface of the hair very little deposit so fades as washed whilst will blend Grey hair  some types more than others will not give full deposit will build up over time, they s sometimes have an alkaline in them to enable a little deposit.

Temporary/ Colour Rinse:

Colour lasts from one shampoo to the next and is deposited on the outside of the hair shaft.

As with a Semi permanent these can and do vary in their chemistry and how long they last depend on amount of washing and porosity of the hairthey can cause staining issues

Levels of Hair Color:

1=Black 2= Dark Brown 
3=Dark Brown
 4=Brown
 5=Medium Brown
 6=Light Brown
7=Dark Blonde
8=Light Blonde
9=Very Light Blonde
10=Light Platium Blond:

A standard International colour shade chart:

1black                      1/0

3Dark Brown             3/0

4 Medium Brown       4/0

5 light Brown             5/0

6 Dark Blonde            6/0

7 Medium Blonde       7/0

8 Light Blonde            8/0

9 Clear Blonde            9/0

10Extra light Blonde   10/0

COLOURED HAIR CARE TIPS

Coloured and treated hair needs extra special care to keep it in good condition.

Wear hats, scarves or products with sunscreens when in the sun, to help protect against color fade and the drying effects of the sun. Leave in conditioners generally contain sunscreens to protect against color fade. Rough shampooing can strip color or dry out hair, so shampoo gently with a shampoo specially created for colored/treated hair. Condition regularly with an intensive conditioner to restore vital moisture and luster to colored/treated hair.

SHAMPOO COLOUR ENHANCERS:

Use colour enhancing conditioners as color grows out to help blend root areas.

Be wary of these colour enhancing products they stain and can effect the hair for future colouring processes :

Do not wrap your wet hair in a towel turban after a shower. The added friction can knot and damage vulnerable wet hair. Instead, carefully blot hair dry.

Don’t brush hair when wet. Comb with a wide-tooth comb, working tangles out as you move from the end towards the scalp.

Don’t overdry. When you blow dry, dry the hair until it is almost but not completely, dry. Leave some moisture in to prevent static.

Well what is over dry? leaving hair damp will make it loose style shape  Hot ceramic irons take care of all moisture just use a blow dry heat protector don’t leave it damp!

Use care when styling. When using styling appliances, use thermal protector for maximum protection. Avoid aggressive manipulation of the hair.

Well this contradicts the about don’t over dry

Use hairspray or spritz with moisturizers and sunscreens to finish the hair. These products will provide continual protection throughout the day.

Personal choice some with silicone will tend to make hair limp

Don’t spray lightening agents or put lemon juice in your hair.

Yippee one to agree with

Support your style with a perm. Just because you have color treated hair doesn’t mean you can’t have a perm. In fact, a perm specially formulated for color treated hair can add wonderful body, fullness and texture to complement your color.

Well who has perms these days colouring and perming is double processing will damage dry out cause colour to fade:

What is written in the heavy print is my view i found this information in this article miss leading and quite scary to think it’s posted as informative educational material. Please please do lots of research when looking for information and advise keep looking until you find articles that are all giving the same advise and information.

Thanks MikeB2MR

 

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Extra thoughts on. Lift deposit shade tone


Back2myroots : A place to share thoughts and grow idea’s. B2MR

PEA IN YOUR HAIR COLOUR:

Not a thing i might consider! But following on from recent posting a re visit to a topic that I have covered a number of times but one that I think generates much attention raises many questions.

Recently I came a cross some advise suggesting the following:

When doing High lift Blonde if you have an issue with. to much Natural gold pigment being exposed during the lifting process add a pea sized amount of 1N! Whilst i can understand the thinking behind this… I would class this type of advise One. For advanced colour technicians. Two  as a last resort. I would like to explain why. Personally to do this i would have to be out of all other options and or our of colour!

First and foremost I advocate when working out a formulation to either weigh or measure product so it can be repeated or accurately changed . Oh and save’s product wastage.

So advise like pea size is rather unquantified. How big is any given pea?  It’s a little like formulation i see in some instances with a squidge!  How much is that? How much is a squeeze? You get the idea.

Moving on High lift Blonde is designed for lifting Natural hair level 6 to 9  if target colour is a desired level of natural looking Blonde. Any level Darker than a level 5 will not give desired lift and you will have unwanted pigment issues. You may need to lift with a Bleach decolourizer then tone.

When lifting with a normal High lift Blonde formulation from a level 6  with a target colour of a natural level 9 .

We have to lift  through level 6 into level 7 and 8 then lifting or controlling pigment at our level 9

In terms of pigment exposed this is as follows.

level 6  Red/orange

level 7  Orange

level 8  Orange/yellow

level 9 Yellow

These are the pigments we expose and expect to see when lift from a level 6 with a High lift formulation

Normally with a High lift the mixing ratio is 1 part Colour to 2 part 40 vol Developer.

The higher level of developer is to achieve the required lift with a development time for lift and deposit of 50 Minutes. [ heat does not accelerate this formulation or timing]

As we can see from above information if we have an issue with unwanted gold pigment being exposed we have an issue with either the natural level we started from or the formulation/timing.

To Much Gold suggest’s not enough lift. What we can do ? Is a Natural controlled blonde shade attainable? Of course it is. We have to look at our formula an address the issue of Pigment exposed and how to control it. Consult your shade chart and your colour wheel.

Yellow Orange would denote or present as Gold hue so to control one would need a Blue /violet formulation to address and or tone .This can be seen both on the basic colour wheel above or the provided pigment correction chart. I would agin suggest if Gold pigment is the issue then you have only lifted then hair to a level 8 exposing the pigment at that level.

Easy to solve give it some thought think the process through it’s all about balance of pigment.

Consider this.

Level 8 has a Yellow/Orange pigment showing as                Gold or Y+RY= Gold

Level 8 pigment lacking to restore balance and tone             B+BR= Blue/violet.

 How does this work for it’s a basic colour equation.We all know that our primary colour are Red/yellow Blue it’s a balance of these shades at any given level that give us our natural levels or N series.

When we lift hair exposing pigment  we strive to restore that balance of R+Y+B= N natural! yes it’s that easy. Do have questions  about this ? feel free to post

In closing the suggestion of 1N pea sized! would be because of the pigment making up that said shade being that Dark at IN  It is a predominately. Blue based shade with Blue Red Blue. This agin gives us Blue violet tone. But in a rather unorthodox way! It is also worth a mention that with some of the new products that are colour additive accelerants are used they will increase the process time. But it’s worth considering. If the process will the speed up. Will it allow for full pigment development needed to control pigment exposed in the lifting process? Just a thought.

I do hope this is helpful as always before trying anything suggested on line take some time to think it through ask questions. Discuss with fellow professionals.

Mike B2MR

http://back2myroots.co.uk/

 

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Natural hair colour Pigment lift and tone.


Welcome to BACK2MYROOTS B2MR:

Regular postings of fresh new topic’s.

As a follow on from the posting yesterday on the N series a more technical look at the issue.

Natural hair colour and trying to recreate it can be a challenge for some why? It’s that balance between pigment lift and tone. Chosen colour formulation and timing.

Patient’s and knowledge, skill, honestly, caring,

As a stylist do you  understand the ‘Law of Color’ ?  As they relate to hair colouring?Yes Laws? Oh your one of those hands on stylist who are fortunate enough to know everything. who don’t need to know or understand the law’s of colour. Your a free spirited artist!  Your just someone with a huge Ego who muddles along getting bye with hit and miss colouring mishaps! A stylist who when things go wrong blames the product! How and why understanding and indeed trusting the colour wheel is so important to succeed.

Hair color is an art.  The natural laws as they relate to hair colour  apply to everybody everywhere. They work off of a Natural scale of hair depth and tone one to ten. The  higher the number lighter the shade or level. Laws are simple they are  beyond one’s control they never require a second guess or questioning. Never the less we still insist on the odd experiment to verify them. When you come to accept the law of  colour cannot be broken then you learn to trust it, you always know the outcome. The laws of hair color  are important and often very neglected. It’s imperative that all professional hair stylists know why we do what we do. Why do you choose the color you do to use on your client?

When you as a stylist take the time to learn the universal laws of hair color. You will be better equipped to work with and advise your client on the best course of action and an ideal formulation for them.

What is color?

Color is light and pigment. When we color someone’s hair with the right choice of colour, we can emphasize their skin tone and eye color. When we understand these laws and trust them we can grow and improve. understanding is one thing trust is much more! We will never have to guess the outcome of our  results will always feel in control confident and professional.

Essentials of Color

There are three essential traits of color.  Working from a natural level. The any given natural level will always have a hue: a leaning towards one of the primary colours found in the hair example. red, yellow, blue. The percentage of the hue is called saturation. Gold or copper is a good example of a low percentage (saturation) of red. Tone is the lightness or darkness of a color. For example, Copper is a tone of Red with a percentage of Yellow and indeed in some case a tinge of Blue. Balance always

The Color Wheel

There are three primary colors: Blue, Red, Yellow.

They are called primary because all other colors are made from them. 

The secondary colors:

Blue + Red = Violet, Red + Yellow = Orange,  and Yellow + Blue = Green

Tertiary colors are made by mixing the primary and secondary colors together. There are six possible combination’s. They are yellow-orange, red-orange, red-violet, blue-violet, blue-green, and yellow-green.

Two colors are called complimentary colors if when mixed together they produce a neutral color.  They are located opposite from each other on the color wheel. When you mix any color with their complimentary color:

You will produce a neutral or browned-out color. sometimes Mud is created.

A colorist should not only always consult and understand the color wheel.

It is a tool that will be used almost every time you color a client’s hair. It will help you create colors with a better understanding of utilising and neutralising pigment and tone.  contrasting colors are placed directly across from their opposite.  This is very important since it is necessary to know which colors can be used to “neutralise” or “brown-out” undesired tones.

A good example of this and indeed a common issue for stylists is neutralising unwanted orange and yellow tones in the hair. When you know and understand the color wheel and can see that violet is the opposite of yellow on the color wheel, you can then choose a violet pigment in order to neutralize the yellow.  Violet being a even mix of red and blue. these will restore balance to unwanted yellow  creating a natural tone. If the unwanted color is orange, you can see that blue is the color to use to neutralize the unwanted tone. Orange being made up or Yellow and Red so blue is required to restore balance.See it;s easy common sense and understanding.

The color wheel is also separated into warm and cool colors. Blue (one of our three primary colors) is the coolest cool color and is also the darkest. It generally lives at a level three, masking out both gold and warm red tones or Hue!  The more blue that is added to your hair color the more it will produce a darker, cooler tone. Red or yellow (our other primary colours) are warm colors. Adding red to your hair color formula will create a warmer tone. Just as blue is the darkest cool toned color, yellow is the lightest warm toned color. Adding yellow to your color formula will always produce a lighter, brighter color. depending on the level you are working at Yellow normally comes out to play between the natural level 7 to 10 any level darker than this the yellow will be over powered by either the Red or Blue Pigment.

This is such a huge topic that one can expand on when introducing the effects of lift from chosen formulation and level strength of hydrogen peroxide or developer. These lifting agents will expose pigment as they lift the hair in the colour process adding warmth from the hair to your formulation.

So again understanding the colour wheel really is key.

Good luck Mike B2MR

 

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