RSS

Category Archives: Level 6 to 9 natural blonde hair

Professional Hair colour dye the N series.


Welcome to BACK2MYROOTS B2MR regular postings of fresh new topic’s

A place to share thoughts post comments and idea’s on matters relating to hair colouring skill and techniques and anything industry related.

Professional hair colour or hair dye! what role does the N series have in colour choice and formulation? It is the opinion of Some hair colourist and or technicians that “rules are made for breaking”  Hum! Ego! is alive and well. For me and many real professionalthat is not the case I say ” understand and trust the colour wheel”  it works !  

When you think about hair colour. What goes through our head ? Do you pull out that shade chart? do you use it correctly? Do you trust it? Do you do your own thing? Do you blame the product when colour goes wrong? Do you use it to refer to or in some cases do you just drop it in a clients lap and say! What colour do you want today!!! [ you may be smiling it happens] more often than you might think!

How often do you consider what you want from that colour that tube of pigment. how it works how what you chose decides the out come the formulation you mix!

The N series is designed for what? To give you a natural looking base shade and cover Grey hair. It can be applied to go darker or lighter given the formulation you choose and considering the working environment and your end goal. it’s main job is to deliver natural pigment and control the pigment exposed at the level you are working in.In other words be calibrated to deal with unwanted pigment and warmth.

My question today is?

Do you consider what the process is? What your asking of any given shade? Lets take 8N for example a nice natural looking level of Blonde. what pigmentation would you expect and need from this miracle tube when working within a level 8 with 8N natural permanent tint/colour/dye Why do I ask this? Because it’s key.The same can be said for any given natural level and choice of N series. So back to question pigmentation. Do you understand it?

The pigmentation of any N series should be enough pigment to control the hairs natural pigment at any given natural level.! Hum what does this mean? Well lets think about our level 8 natural level.

If we mix a very basic formulation lets say 30grams[1oz] 8N 45grams 20vol peroxide 11/2oz]  what will happen? what do we, should we expect to happen?

The 20 volume peroxide will start to lift the hair through level 8 and into level 9 easy 20 vol 2 level lift by doing this we are exposing bring out the natural pigment in the hair so in this instance yellow with a hint of orange [if unsure look at the shade chart and colour wheel]

Having exposed this pigment through our choice of Peroxide. We now have to know [hope is not good enough] that our N series has enough pigment to deal with the issue you have created. So what do you need? Our Natural series must have a pigmentation of Blue Violet to control the pigment exposed and keep our colour natural. You have to control that yellow orange and restore balance.

A great deal to expect from a little tube of colour the same can be said for any natural level. You have to consider what we want from our colour but more importantly consider the formulation and what to expect from it. Of course if previously coloured hair and a root application we would have to colour balance the mid lengths and ends this would not be done with the N series or with peroxide. A Demi application and choice of matching shade will refresh previously coloured hair deposit only.

The key is to take the time to think lift deposit that is what am i going to expose, how do i control it! It’s balance it’s harmony between blue yellow and red at any given level!

The same can be applied to all shades Gold, Copper, Reds. Our choice of peroxide on any given natural level dictates. Whether our colour will be really bright or controlled. Why because we are adding pigment to the colour as soon as we lift the hair’s natural level! So please consider. It’s not just a tube that works wonders ! It’s a tube of pigment designed to help you attain you target colour, it’s use it’s application is down to you! when things go wrong consider what formulation you mixed what you expected from your choice . Most colour lines hair dyes that get change din salons are really down to poor technical ability and not the product. Poor formulation assessment and timing.

A poor Colourist / technician or stylist will always blame the colour .The reality is it’s not the colour! Take a look in the mirror yes that’s the problem !! Education skill knowledge .Think about what your wanting from that colour. Understand it. Read the technical book in your shade chart! yes the black stuff ! It’s called colour chart and manual for a reason.

The same applies to want wanting bright vibrant colours to enhance your choice on the shade chart. Think about the natural level and what pigment you can expose to enhance it. Maybe a Bright Red or Copper? if you don’t want the warmth think about level peroxide. Also what pigment base will control the pigment you will expose! back to the colour wheel! remember opposite neutralise! have fun. Be professional. Be responsible produce the very best colour and create the very best look you can. Challenge your self and those around you raise standards.

Herbal and organic colours and dyes.

It would not be fair of me to not mention that the same rules apply when using organic and herbal hair colour s and dyes. When they are Ammonia free the processes is still the same. The alkaline has been replaced by something normally sourced from wheat so a gain alcohol derivative becomes the driver in place of the ammonia in most cases the results as the same. The role the  N series plays in these colour lines would be the same. refinement of colour and addressing Grey issues.

Mike B2MR

Advertisements
 

Tags: , , , , , , ,

Full head bleaching and tone.


Welcome to BACK2MYROOTS B2MR regular postings of fresh new topic’s    http://www.back2myroots.co.uk/

                                lifting agent bleach powder:

Hair Lighteners:  Powder Bleach, Oil or Gel.

Before Embarking On lightening hair one has to understand the chemistry of the product and how the process works. Hair Lighteners  and Decolourizers come in many forms and are designed to remove Colour from the hair. Basically they are Alkalisers.

How do these work:

They are products that supply Sufficient Alkali to destabilise hydrogen peroxide, when the two products are mixed together the Hydrogen attacks the pigment in the hair and Lightens it. Hydrogen Peroxide is Stabilised in a bottle with a low Ph around {3.00-3.5} adding the lightener be it {powder or liquid-gel} brings the mixture up to a Ph of around 9.0 triggering oxygen release.

Types of Lighteners:

Bleach powder Lighteners are for the most part Stronger and faster acting. Generally used for off scalp Lightening application. { always do skin and stand test} Lifting ability is dictated by strength of hydrogen peroxide and timing formulation. 

Lotions Oil -Gel: 

These have a smoother consistency and are formulated to protect the skin/scalp during the lightening process.Most powder bleaches are not recommended for direct scalp application they may cause reaction an for burning or irritation {Be advised that adding heat/ dry or steam will change the way these products react: powder bleach can dry out under heat!

Ingredients:

The chemical Structure of lighteners are Ammonia.Ammonia hydroxide,Magnesium silicate,and sodium. quite the mix all lighteners have to be mixed with hydrogen peroxide. { Be advised hair that has been coloured with any kind of metallic rinse, colour or stain, will create a heat reaction that can cause burning so do your home work!}

When to use:

A key tool for colour correction, but generally they are used when other products available cannot give the desired degree of Lightening.{ Remember High lift Tint will only give max 4levels of lift when mixed with 40vol Peroxide} 

Uses: High-lights, pastel blonde look when hair is strongly or pigmented  darker shades.

Mixing:  Always follow Instructions on each given product! for lotions/gel /oil double amount of Hydrogen peroxide is often called for. lotions and lighteners/Booster powders must always be mixed in Sequence,{note: mixed out of sequence can result in uneven lift!}

Stages of Lightening:

When lifting /lightening hair it goes through what is known as the 7 stages of lift. It has no limits it can remove all pigment from the hair.

Remember the Colour wheel: {you can see shades in the outer} wheel      

The stages are as follows.

Red-Brown. Red. Red-orange. orange-yellow. yellow -orange.

yellow.pale yellow.

The first colour is always the stronger shade!

The deeper the base shade the more stages of lift required its a journey don’t rush it.

Advantages:

*lightens hair.

*Can be used for colour Correction.

*Adds Texture.

Disadvantages:

*re-growth needs to be maintained.

*Can damage hair.

*Can cause Skin irritation.

* Hair should be protected form Uv -sun light.

Summing Up:

A very useful Tool for us to have but should be respected and understood, I advocate the best path is the one with the least chemistry possible.

Lets re touch on bleach bath/ Cocktail:

What is a bleach bath used for? It is a tool that we have at our disposal to gently lift unwanted pigment from the hair. It is classed as the first line of attack when doing Colour correction:

One would use this formula to lift pigment {note it does not remove pigment} prior to toning or adding your fun colour.

As i have stated before if you are going bright red you don”t need to remove all pigment yellow or orange is fine! if you want true blue you have to get rid of the yellow toning would do this!

Formula for Cocktail. 1/2 OZ Clarifying shampoo 1oz water. 1oz 20 vol peroxide or developer. 1oz/or scoop of bleach.

Wet hair wear Gloves apply and work into your hair for 10 to 15 mins. wash out really well if you don’t get enough lift don’t give up mix up second batch re apply. don’t rinse out re-apply the water stops the action. Remember lift is all about timing;and observation.

It is a miss conception in thinking that 40vol is stronger than 20 vol not true its just long lasting in how long it lifts for {How long the hydrogen gas re acts the oxygen}.

What is toner

Toner is basically a tube or bottle of pigment little or no peroxide is required.Designed to neutralise the unwanted pigment exposed in the lifting process.Deposit only no lift when using a toner in some cases low volume of peroxide may be required to activate the colour molecule. When toning one should always stay with it as it continues it’s neutralisation and despot until rinsed off.The should be considered as a from of colour correction.

                                    High lift Blonde series:

All these shades are toners:

B indicates Beige = Green Orange Base will neutralise pale yellow.

G indicates Gold =yellow orange base for warmth and tone.

V indicates  Violet= red blue base with neutralise  yellow or yellow pale orange

A indicates   Ash =blue  yellow green  will neutralise  Orange orange yellow

Above classic case for toning in my view way to yellow gold. What might you use here?

To beige this look out on would use a violet toner worked in for a few minutes it would restore balance getting rid of unwanted warmth .again there is no exact time stay with it do not leave alone for any period. you may end up with  sludge tone!!!

I found a link for this skin test sight happy to share as i think skin testing is so important.

http://www.trichocare.co.uk/

                                                         Quote from sight:

Colourstart is a unique patch test used by hairdressers as a skin allergy test. These tests help the hairdresser to check if clients are likely to have a problem with hair dye. The alternative is often unpopular and impractical for clients. Colourstart is used on clients who do not have time to visit the salon 48 hours before every application. It is used on clients who do not want hair dye left open on their skin. Colour start is one of the most important advancements in professional hairdressing. It helps to improve client satisfaction and safety in the salon. Due to its benefits and ease of use, Colourstart is rapidly becoming an industry standard.

With a little patient a good consultation and some formulation planning a great shade of bleached an droned hair can be achieved without undue stress and or damage.

Mike B2MR

 

Tags: , , , , , ,

Blonde hair colour and hair Dye


Welcome to BACK2MYROOTS B2MR.

Regular postings of fresh new topic’s http://www.back2myroots.co.uk/

A place to share thoughts review hair colour and products.

                 Spring perfect time to think Blonde

Wake up and smell the roses Its Spring. You can you have a natural looking Blonde hair colour Is it maintainable ? Will it damage the condition? Will it look to orange or yellow? All very good questions.

Before considering going blonder or lighter. Have a professional consultation be very careful when considering home Dye especially if you have previous colour on your hair. anything is possible with the right advise and skilled professional working with you. The perfect time to consider going blonde, having that sun kissed look whilst wishing for those long hot summer days.That hot holiday hair colour we long for to match that fun summer tan. If you feel the need have the desire to brighten up your hair style with a fun new blonde look?

It doesn’t matter how dark or light your natural hair color is or if you have dark or pale skin tone, there is always a shade of blonde hair to suit you or at least some light tones to brighten you up. Blonde is still the most popular hair color choice for most women! Of course if you have already coloured your hair then you will have to take this into consideration when thinking about a shade or discuss with your stylist whats possible. Here are some fun ideas if you want to let that inner blonde out to play for a while.

If you have shoulder length hair in a brunette tone. Skip going for over-all blonde color. Instead apply some rich caramel highlights throughout your style, focusing on the crown and where the part lands. Your textured waves combined with the rich highlights will reflect the sunlight and create an eye-catching look. This will start you on the road to blonde with out over processing.

Long hair

If your long hair is damaged or dull, purchase a good color protecting shampoo and conditioner to use before, during and after you color your hair. Treating your damaged hair from roots to ends is an important factor in maintaining colored styles. For very long hair highlights are a better form of colour than an all over application and help prevent root-re growth issues.

Finding the right shade

Before you decide on a shade of blonde. Take into consideration your skin tone and eye color. Also consider your current hair color for it certainly plays a part in choices and possible out come of the new colour you are working towards.

If you currently have bleached blonde hair, you may want to opt for a deeper, richer shade of blonde.This might require putting some pigment back into your hair if bleached very light. If your skin tone is very pale, you may want to keep your blonde shade a bit lighter.

Dark brunettes. A deep honey highlight throughout your style might be  best, you are then working with your hairs natural pigment rather than fighting it, try to avoid bleaching as this just damages your hair. Choose your colour carefully consider all your options. You may need to seek professional advise. Remember combining a fun new blonde hair color with a new cut can completely change the way you look and feel about yourself and the way others look and see you!

Layering colors

Applying a variety of blonde hair colors throughout your hair on various areas of layering creates a very striking and unique look. If you have a light brown base then highlights to lighten the top sections keeping your layers underneath dark this gives dimension and a great two tones look . This type of coloring looks particularly good on straight, medium-length hair with short or longer bangs.

A few Examples of Blonde looks:

These are just a few thoughts and ideas for those interested in creating a new blonde hair color try to do something different and new with your blonde hair this season.Blonde hair in small or large doses is a good way to update your appearance and help lift your mood!

In the fall, autumn with a demi application we can go darker with out any ill effects or possibility of damage. Toning down for the fall or autumn! It just takes some forward planning and some patients moving around with shade and tone to create new looks without damage is quite possible.

Mike B2MR

 

Tags: , ,

Natural level three wanting high and lowlights


Back2myroots: A place to share thoughts and grow idea’s. B2MR

Naturally Level 3 Natural Asian hair wanting Highlights:
Wanting natural honey shades caramels shades of summer. Cool blonde, creamy caramel sun kissed honey, strawberry are they possible? yes.

How do you feel about working with really Dark hair be it Native American. Japanese. Chinese. Asian.

A challenge to many of us stylists. What do all these different cultures have in common? They all present the same colouring issues. Especially when trying to achieve a really good Blonde beige shades. The issue pigment control unwanted warmth!

Lets Introduce Melissa our client and Linda our stylist.

The issue:

Melissa sits down with Linda for a consultation. Again this is the time Linda can ask the questions to find out about Melissa, her life style, her hair history, her goals. Linda sits with Melissa and as they chat and she takes notes it’s established that Melissa has never coloured her hair, but would like some Blonde and caramel Highlights through the top of her hair. She has shoulder length hair that she enjoys and likes to play with putting it up.

Having listened to Melissa Linda says well as i”m sure you are aware getting your hair to Blonde can have it’s issues.Melissa says yes many of my friends have nasty orange brown hair i don’t want that. I fully understand says Linda. Don’t worry i will explain why this happens and what we can do.

Firstly getting the right shade is always much hard  due to the structure of your hair you have more layers to your cuticle. Secondly and the most important factor is how dark you are naturally you have a great deal Blue pigment this controls any red showing through.But as we start to lift your hair the big issue is always red and orange. Oh i see says Melissa. Linda goes on with an example. She say’s if I lift my natural hair level 4 shades I get blonde as you can see she says smiling! If i lift your hair four levels we will get a red orange shade. So we have to consider our best options and agree on our target shades.

Let me get a shade chart so we can get a shared vision. Great says Melissa. Thank you for explaining all this to me.No worries say’s Linda i like a challenge.

Right say’s Linda here we are. Sitting with Melissa she says you see this top row on the chart with the N yes? Says Melissa, well your natural shade is here second in from the right.That dark? Say’s Melissa. Yep now Linda says [LEVEL6] watch this she counts in four levels from the right including the level started from knowing that this level has to also be lifted through. Oh Say’s Melissa is that it as light as i can be. No say’s Linda I’m just taking you on a little colour journey.

Now she says watch this and Linda counts down 4 levels. Her finger now sitting on then tone line C [COPPER 6CR]  Linda say’s if we lift four levels this is what we can expect, with all that pigment you have. Melissa says this is quite complicated. Not really says Linda but it’s best to be realistic about goals and expectations. Linda says If we lift it to this level we can control all this warmth giving us a nice Caramel shade our second shade. She now moves her finger again on the shade chat to the B level [BEIGE] and says this one 4th in from the right two shades up from the copper [6CR]. Wow says Melissa you can do that yes we can.

I will use a high lift Blonde formulation it takes longer it has a higher level or peroxide for the lift we need and more pigment to control all that warmth here is what we will use to attain this shade.

Right here we are say’s Linda.With another swatch. Now at this point you may be thinking what is going on? well stay with us Linda will explain. Melissa says your using that yes say’s Linda which one do you think she says to Melissa . Who points to the 100B Ok says Linda.  We will be using this one Pointing to the 100A that’s Grey say Melissa ,  Linda laughs no it’s ash and we need all that pigment to control all that red orange .Oh how cool is that. This really is a science Isn’t yes it is says Linda.

Now for the lighter shade we will be using a bleach decolouriser with 20 volume peroxide but will be applying it a number of times. If you like it will be coats or layers or product on top of each other as your hair starts to lift. We will also be working from the ends in toward the scalp as they will take the longest to lift. I’m thinking slightly thicker panels so they show rather than fine weave fine says Melissa I’m in your hands.

Finally says Linda. Our goal is for that 7B beige shade the blonde will be around the 1000B shade that you pointed out and of course your own colour so this look will create three shades and lots of texture and dimension . How does all that sound . Great say’s Melissa I’m excited this will take some time so be patient with me I’m thinking around three to four hours max start to finish. no problem.

Ok lets talk formulation: whilst Linda does some mixing.

First the Caramel shade we can gain a little extra lift by using the 100  it is pigment fee so acts like a booster note [never use more than 25% of this in your formulation or it will dilute down your required pigment]

1/2oz 100+ 11/2oz100A total 2oz [60 grams] 40voume peroxide 4oz [120 grams] this a lot for formula but we have a great deal of hair to deal with [a normal formulation would be half this amount]

Second formulation we may have to mix up more than one lot  seeing a swe are working in towards the scalp

1oz or 1scoop bleach power to approx 2 oz [60grams] 20 volume peroxide mixed into desired consistency.

Back with Linda who now has her trolley papers and product ready to go. She starts to work on the  thicker alternating highlights applying the 100A formulation over full section.

The bleach is applied from the ends into the mid lengths to start with as this starts to lift more product will be applied both to the mid lengths and ends and in to the roots until desired level of lift is attained. Linda works away very skillfully alternating shades applying the product where she wants it every so often checking on hair already starting to lift. As time goes bye Linda starts to apply the bleach formulation closer to the scalp having mixed up two fresh batches of product.

The development time on the on the High lift formulation is 50 minutes 30 minutes lift 20 minutes deposit . Knowing that she wants the pigment to control the unwanted warmth exposed she is happy with the way that is progressing. As things moves along Linda is constantly checking on the effective lifting of any given section and then  re applying  product to needed area’s.

Once finished she look at Melissa says now it’s awaiting game to get even lift. She explains mistakes happen when not enough time is taken to get the desired shade of Blonde or level of lift. Linda says I’m happy with the lift and the caramel shade I just need to lighter shade to lift beyond Orange if we can do this i can tone to a desired colour. After much checking Linda says perfect we have a nice even even bright Yellow and that’s the best we expect.Oh say’s Melissa i was hoping for Blonde not yellow.  Don’t worry smiles Linda yellow is good I can tone that to a nice Beige. How Melissa asks well another mistake that is often made is using the wrong toner .Many might reach for a Ash base but that would not be good [Ash is Blue ] blue and yellow make green  not such a good look.

We will use a strong Violet toner this will control the yellow perfectly [The balance restored Violet being red +blue so a perfect balance to the yellow]  She sets to work rinses all the processed colour out . Now to  the work of toning the hair working it thought out the top section. slowly as she works it in the Violet toner works is magic creating the desired tone.

Finally all done Linda as she washes and conditions says I am very happy with this i know it’s taken quite a long time but we have the shades and tones we wanted.

Lets go to my station take a look and style it for you to get the full effect. As you can see from the picture to the left the effect was first class. Controlled blonde with a burnt caramel shade braking up Melissa’s natural darker coloure.It’s only on the surface of her hair the underneath is still dark and solid so a great introduction to colour. Finally Linda advises Melissa on products to maintain the colour and suggests a return visit in a couple of weeks just to check on the tone and that all is well. Melissa  has a face that says it all a very happy client another huge job that was discussed and executed and finished to the highest standard.

Information on Colouring using Highlift blonde shades

The most natural form of High- Low Lights:

When we think about low lights the idea of that natural sun kissed look comes to mind,Those tones shades that natural lightening created from manipulating the hair’s natural pigment. Enabling us to use those tones just a few shades lighter than our natural base shade.Shade stat add dimension tone shine a really natural look. In so many cases client will ask for low lights that give a few shades of lift for a natural look however on so many occasions. they can end up with bleach decolourised cocktail lightening the hair to then have a stylist re add pigment with a toner to control the lift.Why can this occur? How does this occur and happen? poor consultation.sad lack of creative skill and technical knowledge.

A Different approach: 

Consider this. A natural level hair 1,2,3,4,5  these are what we would normally consider the darker shades Brown through Dark Brown into black {Asian hair} 

Lifting these shades to get a lighter streaked look can cause problems due once again to the pigment that is going to be exposed through the lifting process. We will be at these levels dealing with shades of red and orange! To create Low lights that sun kissed look we have to have a target colour in mind. We need to asses the hair so we have a clear idea of the pigment we are going to expose and how we are going to control it!

During this consultation time it should be noted that considering the hair’s history.This plays a very important role in decisions made has the hair been coloured before? If all over Colour has been applied be it professional or over the counter it will effect the the choices you make and the out come.You cannot lift colour with colour!! If a previous chemical history trying to create a low light using a high lift blonde formulation will ‘not’ work. Remember in most cases you cannot lift colour with colour: { some products now days will defuse pigment and allow this but i question how good they are} My reason for raising the above issues are because what i want to suggest is using is.

High Lift Blonde permanent colour: to create low lights:

This method dictates that you fully understand pigment lift deposit. That you trust and understand the pigmentation of your High lift blonde range  does the product Have enough pigment control to give you the desired tone shade lifting through red and orange?

Above are examples of high lift Blonde shades:

Normally the mixing ratio for these high lift shades is one part colour to two parts 40 Volume Hydrogen Peroxide development time up to 50 Mins {That being 30mins lift 20mins deposit} Heat should not be required heat can be very bad in the colour process it can cause bleeds due to expansion of product. 

You can see the various shades Ash, Beige, Violet. Gold. 100 is a clear. With some products you can us this to get an extra bit of lift maybe a shade, but remember when adding this to a formulation you are diluting down the pigment available in the formulation so if using the clear as a booster no more than 20%  should be used in any formulation.

The 100 series on it’s own will give a nice low light but will not control any pigment exposed it is just lift pigment free. So any lift will create a low light exposed from the natural hair pigment. Given that most manufactures claim 4 levels of lift from High lift blonde what can we expect? Well given a natural level 4 we should be able to get a low light around level 7. As we know that a natural level 7 has an orange under tone using a formulation with ash should give a nice sandy controlled honey low light .

The 40 volume Hydrogen giving you the four levels of lift the Ash pigment controlling the pigment exposed! The shades shown are realistic tones that can be reaches with this method. Although using a higher volume of peroxide i think it still better  than using a bleach to lift and then re pigment or tone the hair.

Multi shades very natural looking:

 Low lights Done with this method have less tendency to fade due to the fact you have worked with the hairs natural pigment base. Do give it a try although the time for development is longer like most services in a salon time management is key to being a success. You don’t need to rush or force colour development you just need to manage your time effectively forcing hair colour development with a plastic cap and heat will not improve your colour. Hair colouring is an equation of formulation lift deposit and timing! Think of  of it as. Formulation, Mix, Timing !Just like baking a cake recipe ingredients over temp Timing. perfect cake perfect colour ! There are many different opinion’s on applying heat to colour. Always follow manufactures instruction, It’s is my thinking that adding heat changes the process. If after our consultation we decide on a formula . That Being tube pigment + Developer= Timing  that process of lift and development.

My thoughts oh added heat:

Consider that heat with a plastic cap. It creates moisture and condensation where does that mositure come from? The formula so it’s changing the chemistry and so the process. Foil highlights with a cap again Condensation in the cap it forces the product to expand rapidly leading to bleeding. With out a cap it will dry the product out as the mixture drys out causing patchy lift on any given section. Always consider what you are trying to achieve patients and timing is the best way learn to manage your time during the process of development.

Thoughts and comments Mike B2MR


 

Tags: , , , , , , , ,

Low lights and multi tonal shades


Welcome to BACK2MYROOTS B2MR:

Regular postings of fresh new topic’s .

Low light colour: A technique of going from dark to light adding multi shades with going unduly light:

How can one create these looks?  Well firstly I have to state it is dependent on the history of the hair that is being considered for this look. It’s back to that need for in depth consultation both parties if using a professional stylist or being honest with yourself if doing it as a home project.

Their are many formulations that one can explore and experiment with but one has to consider both target colour and effect required. The target colour and then tones and shades being used. Again this is so dependant on starting point previous history.

We will use a example of level 6 Natural Dark Blonde.

One with previous colour history. One with virgin un coloured or never processed hair. The Look tends to to work well on a graduated hair cut works well on longer hair. In the event of previously coloured hair one would expect to see light ends dark roots. For the sake of this lets not go to complicated. We will presume grown out Highlights and low lights.This look really does create a grown out look going from darker to lighter.

This first example is. Creating a lighter brighter look, lifted roots slightly lighter mid section very light or bright bright ends. Known as ‘Ombre technique’

One formulation that will take care of any unwanted shade or pigment from previous colourwould be to highlight maybe slightly thicker than finer. I might suggest on our pre-coloured hair using three different levels of ‘Bleach decolouriser’ fading them into each other. How? You may ask. Well weave out your highlights to desired thickness having mixed three bowls of bleach.

One with 10 volume peroxide 1part powder to 2 parts peroxide normally makes good consistency but follow directions

.2nd bowl  20 volume as above mix

3rd Bowl 30 volume  as above mix

I would advise using different coloured bowls or mark each one so not to use wrong formulation.

Ready to go. Weave your streak place on foil, easy mesh, paper, what ever you use. Now paste the 10 volume formulation on the roots and as far out as you like, next paste the 20 vol formulation on the mid lengths again as far as you want. Finally 20 vol on the ends.You have to keep an eye on this as it lifts. You may have to pull some out before your finished, but that’s ok. Once all done you have to decide on the tone that you want to blend them to. You may had have to use a toner to blend.

1*Two thing are key to this. Don’t do the whole head. Make sure that the lift you get is even down each section and all sections have the same lift.

2*Think about the pigment you have exposed think about the tone you want use the colour wheel.

One can do the same with any shade desired or required. If going darker you will not require a formulation to lift this will only introduce unwanted warmth! For tone on tone or darker hair deposit only use a Demi formulation.

If wanting to go lighter or richer  or for more vibrant colours some degree of lift will be required.The success of this again will be dependent on previous history and choice of shades and tones. Again play with both colour or shade choice and level of peroxide. Just remember as you increase the amount of lift with higher volume of peroxide the more pigment or warmth you bring out from the hair.

The skill is bringing out as much pigment as possible without removing it by over lifting! Yes a balancing act. Caution: Over lift and you are losing that extra bright colour you might want.

example level 6 with formulation using 20 volume peroxide will expose these pigments

*6 level red orange.

*7 orange

*8 orange yellow

If you are trying for a rich red using over 20 volume would bring out unwanted yellow pigment changing your target colour! 10 volume would bring out the required pigment with out over lifting.

More options:

Now lets look at virgin hair. I don’t think in this instance one would need to use bleach but again personal choice. Here is my choice and suggestion.Remember we are starting of with a level 6 natural dark blonde. Things we have to consider when choosing  our formulation. What pigment will come in to play. How will it effect our choice of colour.

Using the same highlighting technique as above. Lets play with both shade and lift.

My choice would be 8A or 9A Why? Well it’s an Ash base so will control any unwanted warmth that being [ orange ] Lets use 10 volume on the roots this will lift one level but will expose warmth even with one level of lift. Mid section 20 volume two levels of lift. Ends 30 volume on the ends. Remember your timing and your formulations.

One can also as below mix high lights and low lights some lift with a bleach decolouriser, some  permanent colour,some tone on tone Demi deposit so many options and so much choice.

You could use 20. 30, 40, if you want it lighter. But more lift will bring out more orange. You can also slightly over lap each shade, because although different levels of peroxide all in the same colour camp so no banding.

Take you time, think through both. Timing, application, formulation. Use the tools available to you. Colour chart, colour wheel. Have some creative fun both with the cut and the colouring technique. You too could look like a movie star with this technique that allows for stylish casual sophistication.

With this type of colour base you could easily add multi shades Reds coppers with low volume of developer. Maybe some darker shades for added dimension using only a Demi deposit formulation. Remember by adding darker shades you make the lighter shade become the streak. This adds lots texture and dimension without having to over lift the hair.

If adding red or copper one would use a formulation on the roots with either 10 or 20 volume developer and then use a Demi application on the pre lightened area.Two different formulation on each weave. Have fun but always consider target colour and look and also the environment previous history to get the best results.

Mike B2MR

 

Tags: , , ,

Going Lighter. Blonde and beyond!


Welcome to BACK2MYROOTS B2MR regular postings of fresh new topic’s

Lifting or lightening hair colour :

It is not always about going Blonde is it? It can involve lifting or lightening ones only natural colour or lifting our a darker shade application.What eve the case it can and will have and may cause some issues.This is such a huge topic it can and will open up many. Different application, formulation, situations. I will try to cover or uncover as many as possible.

I think before we start to look at the various colour options available to us. We have to take a look at and understand the process of lift deposit and hair pigmentation. The law’s of colour. The colour wheel. How to control the unwanted tones exposed in the lifting process.

Whether doing all over lift with a Bleach De-colouriser or using High Lift Blonde permanent colour for all all over colour techniques. One will always encounter unwanted pigment in the form of warmth. The key to controlling this is to understanding the colour wheel, tones needed to control the exposed pigment. The same rules will apply if doing a High lighted effect when requiring lift and deposit.

Let us look at lift and lightening

The Stages of Lightening:

When lifting or lightening hair it goes through what is known as the 7 stages of lift. It has no limits it can remove all pigment from the hair. If left on for long periods or if the lifting action is kept going. This action would be by re-applying fresh formula on top of any application to keep the lifting action  of removing pigment going.

Remember the Colour wheel: The tool you need to understand learn and trust!

{you can see shades in the outer wheel }  

The stages are as follows.

Red-Brown.[4] Red.[5]. Red-orange.[6]. orange-yellow.[7] yellow -orange.[8]

yellow.[9] pale yellow. [10]

The first colour is always the stronger shade! So consider this when making choices regarding lifting pigment and tone. On to Primary colour. Secondary colour . Tertiary colour as seen on the colour wheel.

These being Primary.

Red.Blue.Yellow

Secondary.

Orange.Green. Violet.

Tertiary.

Yellow/green Yellow/orange Yellow/red   Red/orange Red/Violet Blue /violet Blue/green

If this sounds a little complicated well here is a useful tool for you.

Note: 

Take a look at a colour wheel learn to trust it.

Level 10 is the lightest then it sits in the yellow segment.

At the top of the coloured pie section

10=yellow

9= Yellow orange

8= Orange

7=Red orange

6= Red

And so on down the chart of natural levels 5.4.3.1 bear in mind that once up in the high lift area of 9 and 10 you are dealing with degree’s of yellow and pale yellow depending on amount of pigment you have removed or exposed!

lets use an example:

Working from our level 6 what shade would we expose trying to get to level 10? Is it possible to get there? Lets see.

*Level 6 + 10 vol 3% 1 level  still level 6 but with pigment exposed.

*Level 6 + 20 vol 3% 2 levels through level 6 up to level 7 orange pigment exposed.

*Level 6 +  30 Vol 9% 3 levels through level 6 and 7 into level 8 Yellow Orange pigment exposed.

*Level  6 + 40 vol 12% 4 levels through level 6, 7, 8. and into level 9 exposing yellow but still a warm yellow.

Four levels of tint lift. Will not give you lift from level 6 to level 10 you will always struggle with to warmth. { even with a high lift Blonde using adjusted formula with a violet base to neutralize the pigment exposed}.

Advantages:

*lightens hair.

*Can be used for colour Correction.

*Adds Texture.

Disadvantages:

*re-growth needs to be maintained.

*Can damage hair.

*Can cause Skin irritation.

* Hair should be protected from Uv -sun light.

The Relationship between. 

Natural hair colour . Hydrogen peroxide. Permanent colour is a complex one. When lifting hair we have to take so many variations into account if we are going to achieve the desired colour and tone.This is not a simple process. Why? As we look at a shade chart to choose a colour,there are so many thing to consider.

First and foremost.

The consultation our time to gain as much information and history as possible a time for some honest and frank questions.Before we can consider our way forward,we have to take into account the natural base colour of the head. Assess Natural level. Percentage of Grey if any. Discuss goals and targets desired colour and tone Are they realistic? Are they achievable? It is at this point we have to make some decisions, for we have many choices.

Permanent colour.

This involves both lift and deposit, so we have to consider, do we want warmth or not? The less warmth we require, the lower volume of peroxide we should use. As the peroxide volume is increased, we lift the natural level more, exposing more underlying warmth or pigment, do we want or need this warmth?

Maybe we want a semi or Demi colour, both deposit with out exposing any natural pigment, Demi deposit being slightly deeper than semi. It’s all about choice.The key to this is understanding lift and deposit, understanding the relationship between peroxide, lift and pigment being exposed. Do you?

As we have introduced this warmth.  We have to have decide, do we want to utilize or neutralize it. This is why our choice of colour and peroxide are so important, our formulation has to be carefully thought about. To get the desired results. We have to understand lift, deposit, pigment exposure, and the colour wheel.

Summing Up:

A very useful Tool for us to have but should be respected and understood. I advocate the best path is the one with the least chemistry possible. Full consultation prior to any chemical service is essential. If in doubt do a strand test.

What makes it challenging:

When we assess our hair natural colour, we work off a scale of 1 to 10 in most instances

1=Black 10= Blonde this is pretty much Universal standard within the hair industry.

When deciding on Permanent hair colour. We have to access the natural level of the hair, before we can move forward and choose a target colour. A big mistake made is not considering the Volume of Peroxide being used and the influence it will have over your chosen colour.

Lets work off an example of level 6. Dark Blonde.

Depending on the level of peroxide we opt to use. We are going to introduce colour or add undertone from the hairs natural Pigment. {remember level 6 } This gets a little complicated, mainly because in some circles we are mislead as to lift we should expect, from any given strength of  Hydrogen Peroxide.10 volume or 3% Peroxide: In some circles it’s suggested that it does not lift. I would disagree with this thinking. The lift you get, is enough to expose the pigment in the hair at that given level. So on our level 6 we would expose Red Orange, by Introducing this warmth into our equation. We have to decide on the role  it plays, how will it influence our colour.

Do we want to Utilize or neutralize the shade exposed? At this point we should consult our shade chart and yes the colour wheel, choose the shade to do the job not just the shade that you like in the swatch! The higher the volume of peroxide the more lift the more pigment to consider.

Depth and Tone:

ICS, International colouring system, Offers a system where hair colours and shades are divided into numbers. Using our example of level 6  a chosen 6/1 would denote a shade at level six with underlying Ash Pigment { perfect for neutralizing red orange undertone}

Laws of colour are just that Laws they cannot be broken.

Over the years i have worked with many stylist who like to break the rules.They Don’t measure colour. They don’t ever read the technical manual.They mix shades hit and miss. Oh so random, but ego dictates they know it all! I have made a great deal of money correcting these dull muddy over processed colour jobs. Understand the colour Wheel.Trust what it tells you, how it guides you, consider the environment you are working on. Take the time to read the black stuff in the technical manual, it normally has the answers to your issues and problems.

My hope is that all this information and the useful charts will help you and encourage you to think the process through and challenge your self and your thinking when lift hair lighter, from either a natural base shade or from a darker previously coloured shade.

Comments always welcome Mike B2MR:

 

Tags: , , , ,

Highlights and low lights techniques.


Welcome to BACK2MYROOTS B2MR:

Created as a source of advise education knowledge skill experience. and most importantly sharing.

The art of hair colouring is a passion to me. As it is with so many hair colour technician’s. True professionals know that having both the technical and practical skills are key to being successful. Maintaining standards and being current is also key.

I would like to try and cover some points that relate to high lighting, with the various products available to us! when we think High lights we are naturally drawn to thinking Blonde. Consider adding more natural tone sand shades . Mixing low lights and high lights.

It seems as I monitor key search words that the most searched topic’s that come up are always relating to issues around blonde hair highlights bleach and tone.The other key search being searches on all topic’s related to the colour wheel the law’s of colour controlling pigment shade and tone.

I hope that although a topic written on many times this is of help and pushes some buttons regarding process and techniques skill and understanding.

In am fortunate that I get to meet so many salons and so to meet some very talent stylist and colour technicians. I like to watch techniques hang out with technician chatting about techniques and products. Always trying to discover a stylist’s favourite. what is the current chosen product. Many use foils some use easy mesh. I use a waxed paper that does not need to be folded and will not allow bleeding as much as some other products might during the process time and as the product expands. A thing that can happen with foil easy mesh or many of the products available to us, especially if to much product applied and or if heat is introduced.

One of the biggest thing I observe with highlight is the neatness of sections the folding of the foils the care taken attention to detail. Those being foil placement formulation application. The patients of many really good colourist is to be admired. But we also have to consider the evenness of the weave desired thick fine ect. The cleanness of section.The application of product. oh and formulation.

We have to remember that when taking section we are not working on a flat surface it’s curved so we have to structure out sectioning pattern to accommodate this plain.

However there are always the slack untidy get them in get them out jobs to! consider all the curves as indicated below.

Lets take some time to reflect and review on sectioning and placement :

My question is on sectioning it’s hard to write about i wish i had a way to draw on screen any way here goes.

I have in past blogs articles made reference to not being able to cut  a straight line on a curved surface the same is so of highlighting sections!

when we work up the side of the head in nice neat sections we are working on a curve! so it follows if we pull the foil in tight to the section  the middle will be right into the root leaving distance from root at either end! if we pull one end in the other will move out ! its the curve.

The same can be said for working a T section if we start at the hair line and work toward the crown we are working on another curve so the same applies. as we pull the foil in as close as possible only a small part will pull right in a space will be at each end.

The below although for cutting indicates well the sections and angles discussed.

How do we get round this? By working in sections from the hairline in always sectioning to create a flat plain and by brick laying sections staggering them if you do this you will always get to the roots.

take time think about that curve adjust your sections it will make the work of difference to you!

Look at those roots that re-growth consider formulation how you are going to run your colour to deal with root issue. Try not to over lap any bleach! decide on your weave pattern. Discuss with your client the look .Highlights thick streaks fine weave high light and low lights final goal!

How do your Highlights stack up ! maybe you should take a little more time with placement sectioning foil placement!

I speak from experience I used to book highlights back to back i could weave full head in just over half an hour.  Would I do this now ‘No’ it’s not the way to work to do things or get the best results.

Of course still consider re growth application colour balance and formulation but take the time to work on those sections it all about angles as you understand these  section you find you will naturally start to apply them to cutting sections as well it will give you over time greater understanding of shape and weight distribution.

If you are interested in the waxed high light papers here is some contact information for you.

Also a useful link for the papers:          http://www.sparenity.com/

Hope these tip helps to some degree. Feed back and comments are always welcome on content and or future topic’s it helps keep things current.

Mike B2MR

 

Tags: , , , , ,

 
%d bloggers like this: